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Orchestra of the Age of Enlightenment

Ok, it’s a not very snappy name, so we tend to call ourselves the OAE. The OAE is probably one of the top ‘period instrument’ Orchestras in the world. What does this mean? Well, over the years instruments and techniques have changed. We try to be authenti...

The "seriously underrated" Baroque composer Zelenka

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VIVALDI: Concerto in A minor for two oboes in A minor, RV536 - Allegro

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The Forgotten Tenor Viola

The Forgotten Tenor Viola

Violin student plays gut strings for the first time

Berlioz and the bassoon

William Croft: Music for 'The Funeral or Grief-à-la mode' (1702) - Slow Air

"Like a tuba that's been bottled" - the Ophicleide

"One of the most glorious, ecstatic moments of music" | Off the Shelf pick: Martin Kelly (viola)

The premier wind instrument of its day - the cornett

Violinist Dominika Fehér talks Kodály classes, conducting & superhero abilities | Take a Beat S2 E3

The Napoleonic Long Drum

A little known gem from this 17th/18th Century English composer | Off the Shelf classical pick

The Double Action 1905 Gothic Harp

The rarely seen Lirone - 'heaven's hoover'

Why Berlioz Wanted Sea Sponges on the Timpani

Timothy Ridout on his 450-Year-Old Viola's return to Gut Strings

"Painful and miserable" - Berlioz's Bassoon

Introducing the E Flat Clarinet

"One of the glories of Western music" | Off the Shelf pick: Steven Devine, principal keyboard

Why Berlioz should be played on period instruments

"Every single note has to be a beautiful gem" | Off The Shelf Classical Picks

Behind the scenes of the Secret Garden Café Concerts

Did Haydn got to the cinema?!

"It's like a love story from beginning to end." | Off the Shelf Pick

"Playing this piece was one of the most exciting moments of my entire career" | Off the Shelf Pick

Introducing Haydn's Oboe

The 20th Century Percussion Instruments we use for Warlock's Capriol Suite.

Esurientes from JS Bach's Magnificat - on period instruments

Purcell's obsession with the god of wine | Composers' Wine Tales

"The choir sound like a car starting up on a cold day" | Off the Shelf Classical picks

Haydn's famous contrabassoon solo

Does playing from the original manuscript change your perception of a piece?

A Period‑Instrument Lark Ascending Like You’ve Never Seen or Heard

Fantasia on a Theme by Thomas Tallis - if you heard it in Gloucester cathedral

Introducing the Anton Walter Fortepiano

‘Off the Shelf’ Classical Pick: Martin Lawrence (horn)

‘Off the Shelf’ Classical Pick: Maggie Faultless (violin)

Steven Devine introduces BWV 111 Was mein Gott will, das g'sceh allzeit

The story of Mozart's Clarinet Concerto

The instrument Mozart wrote the clarinet concerto for

Who says Haydn isn't box-office gold?

Composer James Redwood talks dream commissions, perfect moments and climbing | Take a Beat S2 E2

Haydn's liquid salary | Composers' Wine Tales

Steven Devine introduces BWV 132 Bereitet die Wege, bereitet die Bahn!

The James Webb Space Telescope with Dhara Patel | Bach, the Universe and Everything

Steven Devine introduces BWV 163 Nur jedem das Seine | Bach, the Universe and Everything

Inside flute player Neil McLaren's jewellery workshop

Flute player Neil McLaren takes us back to 1989

How flute player Neil McLaren got into the Baroque flute

Steven Devine introduces BWV 5 Wo soll ich fliehen hin | Bach, the Universe and Everything

Why should you come to see Solomon on 12 October?

Three roles, one soprano - with Nardus Williams

What are the musical highlights in Handel’s Solomon?

Introducing soprano Nardus Williams

Handel's 'trouser role' in Solomon

Flute player Neil McLaren talks castles, music lessons and jewellery making | Take a Beat S2 E1

Why Solomon makes a good season opener with Principal Artist John Butt

First musical memory with flute player Neil McLaren

The Arrival of the Queen of Sheba in 90 seconds

$1,000,000 Guadagnini violin vs $100 violin

A Tribute to Sir Roger Norrington (1934-2025)

How to make a hosepipe horn

Breaking Bach - a meeting between street dancers and Bach

Conductor Natalia Ponomarchuk on the new OAE commissions inspired by Fanny Mendelssohn

TELEMANN: Der Harmonische Gottesdienst for the Second day of Easter

"Baroque music? Oh I've never tried that!" | Breaking Bach

Mendelssohn's Erard Piano - with Olga Pashchenko

Musical Connections: Arts for Impact Campaign

Take a Beat with Freya Waley-Cohen

Playing Beethoven’s Violin Concerto on gut strings with violinist Vilda Frang

The only instrument that Fanny Mendelssohn was allowed to play as a woman in the 1800s.

Take a Beat with Steven Devine

How we transport large instruments - with Bonzo

Can people recognise Mozart’s Eine kleine Nachtmusik from just three notes?

Why is Rebecca Clarke’s Sonata for Viola and Piano still so popular?

Take a Beat with Roxanna Panufnik and Olga Pashchenko