Scale sequences are one of the best ways to make your pentatonic playing sound less like noodling and more like actual phrasing. This one is built around a doubles pattern, where you repeat each note twice before moving down the scale, mixed in with some pull-offs that give it a smooth, flowing feel. Once you get the motion down in one spot, the pattern just follows the shape of the scale wherever you take it. It works in any position, any key. The kind of thing that sounds impressive but clicks pretty quick once you feel the rhythm of it.
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