Most players learn this pentatonic idea in E and stop there. The real magic happens when you take the same concept and apply it to other keys by doubling notes with the open string. It instantly adds speed, width, and flow without changing the scale at all. Pros use this all the time because it sounds big and musical, but it rarely gets explained. Try it in B, G, or any key where the open string supports the sound and listen to how your lines open up!
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